Category Archives: Architectural

Memory Politics in Tbilisi

Published in the Journal of Conflict Transformation  Feb. 2018

Identity Construction and the Politics of Memory

The collapse of the Soviet Union brought to the creation of 15 independent states that faced the necessity to construct their new identity – both internally and externally. The latter would pave the way to joining the “international community”. “To some extent, identities create opportunities and constraints for foreign policy-making, and also frame relations between countries.”[1]

The identity construction of a new state is a complex process requiring special instruments. Modern political communities use a collectively shared notion of the past as one of the main tools. Appealing to the past is a convenient instrument and resource for the legitimization of the existing political order. How the shared past is conceptualized and processed constitutes the politics of memory within a society.

In its turn, the politics of memory uses various instruments for the construction of a shared notion of the past. The official historical narrative is the principal of such instruments and is complemented, disseminated, and popularized by others. Among them, nation-wide holidays and commemoration days, school programs, national symbols, the creation of memorial sites and museums are the most efficient tools for the instrumentalization of the past and the construction of the state’s official narrative of history.

Undoubtedly, in this process those who carry out and experience the politics of memory have to deal with the heritage of the previous periods as well. “The history of most post-Soviet countries is characterized by the rise and triumph of nationalism and a radical revision of approaches to the history writing that dominated in the previous periods.”[2]Across the post-Soviet space, these revisions brought an overhaul of not only the official historical narratives but also the entire memory landscapes of the societies. This analysis looks into the post-Soviet transformations of the memory landscape in Tbilisi by re-visiting its memorial sites and monuments.

More Here

Designing the Soviet Union

Soviet architecture had diverse and ambitious ideas for transforming the spaces people live, work, and travel in.

For the last few years, the best-selling architectural coffee-table books have all shared the same subject: Soviet buildings. They are part of a strange but popular cult, where the ruins of the Soviet Union are contemplated and documented as an alien landscape.Agata Pyzik, in her 2014 diatribe Poor But Sexy, describes this trend as a form of intra-European Orientalism. Books like this year’s success story — Christopher Herwig’s Soviet Bus Stops — explore what she calls an “obsolete ecology,” an irradiated yet magical wasteland, an Urbex paradise littered with wonderfully futuristic ruins. It is a seductive approach, and many Western writers (like me) have joined in.Herwig’s contribution is a gorgeous example: page after page of bus stops, in an elegant, almost pocket-sized hardback volume, with a terrific design by the Anglo Sovietophile publisher FUEL.But why bus stops? Because Herwig discovered that the long, straight, often potholed highways that run between the former Soviet Union’s big cities are dotted with hundreds, maybe thousands, of architecturally imaginative bus shelters.There are none in the cities themselves — urban bus shelters are far more likely to be the sort of metal and glass canopies found in any metropolis. But tiny towns, villages, and hamlets commissioned, through processes that the two introductions to the book manage to leave totally unexplored, a series of exceptionally striking and original designs, in a raw style that combines the local vernacular (Baltic, Central Asian, etc.), concrete futurism (all jagged angles and cantilevers), and bright colors.It’s fabulous stuff, but to paraphrase Brecht, a photograph of a Soviet bus stop tells us almost nothing about the society that brought it into being.

Tellingly, many of these hit books are made by professional photographers who have chanced upon their subjects — something Herwig shares with the French photographer Frederic Chaubin, author of the smash hit CCCP: Cosmic Communist Constructions Photographed. This means they don’t share the compulsion that an academic or journalist might have to include editorial condemnations of the Soviet Union.

Until recently the subject has produced little good work in the English language. Prewar Soviet architecture has been well-served with studies by the likes of Catherine Cooke, Selim Khan-Magomedov, and Vladimir Paperny, but post-Stalin design has been oddly obscure. However, several recent publications combine the innovation of Soviet aesthetics with excellent writing. There’s no excuse to just stare at pictures of incredible Soviet ruins when there are books that can tell you what they are and why they’re there.

Do-it-yourself urbanism: vertical building extensions in the urban landscapes of Skopje and Tbilisi

Abstract
The architectural and social landscapes of many post-socialist cities have been 
transformed by an emergent urban phenomenon: the construction of vertical building extensions (VBEs) on the balconies and façades of multi-storey residential buildings.
While such structures are often of a makeshift, improvised character, many of them possess reinforced concrete frame constructions that often parallel the ‘host’ building in terms of size and function.
This paper examines the social and spatial underpinnings of such extensions, with the aid of a field study based in Skopje and Tbilisi – the capitals of, respectively, Macedonia and Georgia. We highlight the embeddedness of this phenomenon in a set of policy decisions and economic practices specific to the post-socialist period, as well as their complex implications for the
present and future use of urban space. One of our key arguments is that VBEs ‘spatialize’ coping strategies in post socialism, embodying a kind of ‘DIY urbanism’ that has deeply transformed the conduct of everyday life in the city.